give the game away

avsløre spillet

~ Brian Eno & Peter Schmidt.

Marek Stave is a film artist based in Oslo. His films prioritise emotion, explore social issues, and often magnify what’s left unseen. Influenced by youth culture and poetic imagery, his work is deeply intertwined with music — functioning as an essential element of narrative structure.

Marek practiced experimental film at UCLA in 2019, studying under Navid Sinaki and participating in master critique classes with James Benning at CalArts. In 2020, he furthered his education at École de Leth, a one-off short film program led by the legendary Jørgen Leth (88), where he was taught filmmaking by Thomas Vinterberg and Lars von Trier.

 

  • Title: Closer To Yourself
    Director: Marek Stave
    Duration: 9 minutes
    Genre: Drama

    Synopsis
    “Closer To Yourself” is a nine-minute drama that explores the tapestry of human emotions. The film unfolds in four distinct parts, each oscillating between the profound and the humorous, guiding the audience through a transformative journey into the complexities of the human psyche.

    ‘De sier at man kun kan redde seg selv. De sier også at alt man trenger er kjærlighet. De kan også ta feil’ — “They say you can only save yourself. They also say all you need is love. They can also be wrong.”

    Director Statement
    The narrative in “Closer To Yourself” centers on a young boy, embarking on a poignant odyssey that leaves viewers pondering the enigmatic destination awaiting him at the film’s culmination. Maria Grazia Di Meo’s portrayal of the female lead is a powerful celebration of mental health, aimed at dispelling the stigmatization that often surrounds it. Rather than dismissing individuals as ‘crazy,’ the film encourages compassion and understanding, fostering the recognition of mental health as a unique and remarkable facet of human existence.

    Furthermore, the film serves as a critical exploration of contemporary society, highlighting the intricate predicaments that entrap men who find themselves emotionally or financially exploited. The critique of modern culture is humorously depicted early on, contrasting the preparation of skis outside “his” Tesla, adorned with an AP watch.

    Maria Grazia Di Meo’s multi-faceted performance, portraying various roles within her own mind, is a depiction of her character’s journey from burden to liberation through dance.
    The film plays with time and structure, challenging viewers to ponder the origins of the boy’s behavior. Is it linked to his well-being, a subsequent scene where Maria attempts to save him, or his return to mend a fractured connection? His emotional turmoil stemming from genuine affection for Maria adds complexity.

    In a warm sauna, the film’s narrative culminates as the boy and girl discover love in the sanctuary of their home. However, this romantic journey takes a critical turn as the boy descends into a world of drug use, signifying the anticipated consequences of his actions.
    The iconic “Det Gamle Deichmanske Bibliotek” building, once a library, now a hub for drug-related activities, adds a profound layer of social commentary, reflecting the evolving landscape of Oslo and the behaviour of its youth.

    The film is captured on super 8 film, by myself thoughtfully, blending historical and contemporary elements to pay tribute to the art of contrast.

    The wardrobe features the boy in vintage Comme des Garçons and an Undercover CAN jacket, while Maria is adorned in vintage Balmain fur, layererd underneath with Dolce & Gabbana, and Versace. Maria’s pink jumper, adorned with the slogan “If memories could be canned, would they also have expiry dates? If so, I hope they last for centuries,” adds an ironic layer that complements the characters’ desires and pays homage to Wong-Kar Wai’s cinematic masterpiece “Chungking Express.”

    The final scene unfolds in a “casino” created by artist Lea Hordvik, reflecting self-perception and values, particularly those of women. While the act of sleeping with 87 men may not resonate with everyone, it presents a compelling critique of free-spirited women who embrace a unique perspective, ultimately choosing to dance away from reality.

    “Closer To Yourself” is a reflection of my return to Norway after 12 years abroad, offering a curious exploration of evolving societal dynamics, the silence of those who have lost their voice, and the enduring impact of historical transitions.

    As with all of my films music being so important I joined forces with remarkable underground musicians, such as Thomas Bullock of L.I.E.S. Records, to enrich the film’s emotional tapestry. Their creative input seamlessly interwove with the artistic talents of Norway. In a captivating dance sequence, guided by Åse Klevland, a former cultural minister and prominent queer icon, we presented a distinctive rendition of JJ Cale’s “After Midnight.”

    In “Closer To Yourself,” you will discover a thought-provoking journey that resonates deeply with the complexities of human existence. It is an artful exploration of emotions, society, and the human condition itself.

    Sincerely,
    Marek

  • Introducing “Boundless Green,” an experimental short film by Marek Stave in 2021, with a runtime of 00:02:59. The film’s asymmetrical emotions converge to form a powerful whole.

    This short story delves into the duality of human existence, while also serving as a critique of the fashion industry. The film’s protagonist is weighed down by a jacket that represents the burden that causes him to experience feelings of desperation and even contemplate suicide. Through the power of visual storytelling, I hope to encourage viewers to shed their own burdensome “jackets” and embrace a life free of emotional turmoil.

    Like the intricate interplay of light and darkness, the film explores the complex relationship between fashion and the human experience. Accompanied by a poetic self-written poem and live choral music, the film’s Arri cinematography elevates the viewing experience.

    The film was inspired by a design concept and created for Tekla Lou, a fashion design student, to showcase at her annual presentation at Khio School of Design. Despite the challenges of filming during a pandemic-induced lockdown, “Boundless Green” was shot entirely on location in Oslo at Khio, making it a true testament to the power of creative perseverance.

    Designer: Tekla Lou Fure 

    Talent: Ayan Mou 

    Director of Photography: Martin Bremnes 

    Light and 1st camera assistant: Daniel Yul Kim

    Poem written by:  Tekla Lou Fure and X 

    Music: Schola Cantorum, «Lux Aurumque», Music 2L

    Make-up: Katarina Fedøy

    Produced by: Tekla Lou Fure 

    Location: KHIO 

    Written and directed: Marek Stave

  • In a stunning showcase of high-fashion set against the picturesque fjords, we present an intriguing short film that tells the story of a disillusioned fisherman who moonlights as a hobby taxi driver. As the upcoming event draws near, the fisherman’s anxiety builds to a fever pitch, culminating in a nightmarish vision of what’s to come. But amidst the fear and uncertainty, we’re reminded of the beauty of the natural world through stunning imagery of the local weather and landscape, as well as a poignant shot of an empty fish net.

    This film is a testament to the power of collaboration and was created with love for @venogard_kunst – Strikket, a local artist collective based on the idyllic Venø island off the west coast of Norway. By seamlessly blending high-fashion with the stunning backdrop of the fjords, we hope to inspire viewers to see the world through a new lens and embrace the beauty that surrounds them.

    Staring Olav Venø Director of Photography Bjørn Venø Submarine Cam-Operator Aleksander Eide Produced by Julia Venø and Marek Stave Song performed by Bjørn Inge Berge Vocals by Maria Helgesen and Maria Vengen Stand in Driver Marius Skavøypoll Text edited by Jessica Ann Venø

    Written and Directed by Marek Stave

    Special thanks to: Mathias and Svein Arne Kempenes Elaine Janice Venø and Olav Venø Ståle Eide Uniformpartner AS John Martin Vederhus Håvard Midtgård Jim Barmen Marius Skavøypoll

  • Set by the shore of an Oslo fjord a tactical game of chess is played between a man and his anxiety. To combat his fears he must play the match to win, understanding his existential worries and uncovering a path to ultimate freedom from fear.

    Starring Eili Harboe and Marek Stave

    Written and Directed by Marek Stave
    Director of Photography: Mario Poljac TTG
    Focus puller: Michael Lindberg
    Casting: Nina Wikstøl at Eckerbomcasting
    Edited by Sofia Kerpan and Marek Stave
    Music written and mixed by Aradea Barandana
    Poem by T.S. Eliot “East Coker”
    Poem narrated by Nora Schjelderup
    Costume Designer: Pauline Nærholm
    Hair & Make-up: Linda Wickman
    Wardrobe assistant: Karoline Austring
    Hair & make-up ass. Christina Rønningstad Sørlie
    Best Boy: Christian Halvorsen
    Produced by The Group

  • Set against the iconography of the Russian Orthodox Church, a young boy projects visions of his future – struggle, substance abuse and freedom.

    Ornate Russian iconography presented throughout the film is positioned as divine beauty for “beauty will save the world”* – the filmmaker explores the relationship between life, death and faith. The church and all it represents is a stark contrast to the realities of the boys future.

    The project has been shot in Florence, Milan, Los Angeles and Norway. Super 8 film has been used throughout the present story line juxtaposed with digital to showcase the future dream montage the boy experiences – the contrast between beauty and darkness.

    *(Dostoevsky, The Idiot)

    Starring: Mara Da Costa Reis, Aiden Medina, Fr. Nazari

    Written and directed: Marek Stave
    DP: Lidia Nikonova ⠀
    Costume: Megan Parsons
    Hair stylist: Trae Austin Elliott
    Hair assisted by: Steven Rodriguez
    Make-up: Avigon Paphitis
    Live Choir performance: HVM LA church choir
    Choir recording: Josep Ferrer
    Sound mix: Louis Deruddere
    Produced by: The Group

  • ‘Preacher’ was made in a few hours on the 16mm camera and is on display at the Artapartamento art gallery in Havana, Cuba. The purpose was to use a limited amount of time to come up with a documentary style concept that was uncontrived. The pressure of a time limit allowed the characters on display to tell their story rather than having too much involvement of the filmmakers. The subject of the film is really about the struggle of many people downtown and its contrast to the American dream. The film plays on the irony of what America and Los Angeles offers people and what the reality is for many people. I was interested in capturing this in a sincere way so thought this film style would be most suitable.

  • This is my baggage. These are my belongings. This is my heritage. The grass is greener on the other side. Those objects don’t belong there…

    Mise-en-scène. Two shots. 45 seconds.

  • Eugene Onegin, but set in Malibu, but takes place “today”. 

     

    Starring 

    Thea Sofie Loch Næss

    Nora Schjeldrup

    Yana Yatsuk

    Daniel Robinson 

    DP Amina Zadeh @aminaelizadeh

    AC Jacqui Carriere 

    Music 

    Humming: Nora Schjeldrup 

    Poem by A. Pushkin narrated (in Norwegian by): Thea Sofie Loch Næss 

    Music: Stuart Leath (Emotional Rescue) 

    Song: “El Sacrificio de Catoul” by Louis Delgado 

    Edited by Marek Stave, Siena Sivrican 

    Assistant Producer Avigon Paphitis 

    Written, directed, produced: Marek Stave 

    Shot on Arri super 16 and Hi-8 film in Malibu, California.